Southern Tajikistan, 5-8C - SCENE OF PRANIDHI.

Painting by paints on the loess plastering with the sub-priming of alabaster. 78.5 x 102. In the upper tier of the composition (it were preserved its only lower part) there were Buddha in the yellow Sanghati, sitting in the Padma-asana pose on the pillow- throne, twisted by spray with leaves, and two confronting to next figures (Bodhisattva?). In the lower tier, isolated by strip (pearls), is very ornate composition. In its left side two female figures, which stand after each other and turned to the right, in the similar headgear and the clothing, with the gifts in the hands (candle, vessel, and flowers). In front, the figure of man is executed on the same scale and turning. His hair is briefly cut. Body is covered with pleated pink cloth; under it the lower clothing is another color. Right arm and hand are exposed. In the right hand the large flower of lotus on the long stem. On the feet are black boots with the lapels.
The remainders of one additional man figure in the checked (?) yellow clothing are visible in the right side of the fragment. On the second plan, as in the behind scene (and therefore on a smaller scale), are depicted the three additional men: two sit, sat cross-legged, the third stands. Lower pleated clothing is visible from under the tightly covering caftans with the lapels. Waist is fastened by the belts setting with the rings, to which the weapon was hung up. On the feet are soft foot-wear. In the hands of persons are different gifts. 1975, roundabout corridor around the sanctuary.
„L„y„„.: „L„y„„„r„y„~„ƒ„{„y„z 1983, „ƒ. 287-295; „_„S ‡‚ 316; „G„R„S ‡‚ 26.

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