It returns to the page of the floor map.@@@@MEDIAEVAL TIME

Norther Tajikistan 10-13C

FIGURED PITCHER
The fired clay, glaze. Height 24,5, length 24, width 15. Depicts fantastic being on three legs, with the body of bird and the head of some animal. On the breast the rosette, filled with triangles with the points in the center. Wings are designated by relief; on them the rosettes, filled with multiple-beam star and pattern from the points; at the ends of wing there is slanting shading. On the shoulder there is rosette with the deeply cut in cross. On the back there is carved ornament under glaze. Glaze is white, with the greenish nuance. Head is round. Water is poured out through the oval mouth and the eyes, designated by circular openings. Sufficiently rough knob is fastened to the neck and to the base of the tail, where the lower part of the neck was preserved, through which the water is poured. 10C. Kalai Kahkaha III. Random finding. 207/2454.
Ly.: R}y~rp 1953, . 200 - 201, y. 14; GRS 66.

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MIKHRAB
Clay. Thread. Upper part in the form of arched arch (height 8, width 70, depth 30), lower - flat panel (height 107, width 70, thickness 2 - 2,5). The arched top consists of two promising reduced arches of lancet outline. As the composition center of konkhi of the large arch serves the round locket, filled with the alternating in checkerboard formation dual trefoils and meanders in the framing of the almond-shaped lobes, decorated with the grid of notched rhombs or with the image of the stylized sheet. Internal filling of konkhi is contoured by belt from the open weaving of the notched rhombs, surrounded by the strip of polukruzhiy. The archivolt of the large arch of mikhraba decorates carved Arab inscription with the handwriting of kufi with the plant ornament. The apex of lancet completion with the remainders of its framing semicircular festoons was preserved from the small arch of arch. The lower part of mikhraba is flat panel with the internal scalloped arochkoy; panel is encircled on the edge by the recta
ngular ornamented framework. The field of the timbrels of arch is filled with the ground plant flights in the form of weaving from the spirals, the executed in the technology deep thread "lock" of scalloped arch demonstrates traditional for the skill and the Near East motive "thrown open it is wing". X - THE XI of substances the settlement Of asht (Leninabadskaya obl.) . Lit.: Masson 1940, s. 52 - 54; Pugachenkova 1950; Litvinskiy 1956; Khmel'nitskiy - Negmatov 1963.

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MIKHRAB

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CUP
The fired clay. Transparent glaze with the under glaze painting. Height 10,5 diameter of the edge 22,5 the rim of the bottom - 9,5. Cup with the wide flat spout. The internal surface of cup is painted on the white alabaster by the black and brown paint. Around the spout from the inside there is ornament in the form of garlands with three round suspensions. On the edge - the rim of the upper with the stylized image of Arab letters and "pearls". On the level surface of cup is the white pentagon, split by diagonals, against the light brown background, in the environment of the interlaced plaits. 9C - 11C. Block of ceramic Bunjikat.

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CUP
The fired clay, under glaze painting. Height 5,0, diameter 19,5. On the edge from the inside border, there are dark brown spiral locks and the stylized spray of plant on the white alabaster. In the center of cup the partridge with the dark red beak and the white eye is depicted. The body of the bird of green color, is contoured by black line, feathers on the wings are described by red and black color. Bunjikat, the block of ceramic. 9C - 11C.

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VESSEL (fragment).
The fired clay, glaze. Height 14, the diameter of pan 6. Body of jar form, on the housing shallow vertical grooves. Against the white under glaze background brown, is executed the stylized ornament of epigraph (AL -1umn - "prosperity"). 10C - 12C.
City of Ura-tepa
Ly.: Qp~r - Rp|r{p 1961, . 127.

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CUP
Chandeliers diameter 25, height 15. Clearly expressed pan, it is expanding from the ground part to the top walls. Inside the cup on the bottom, in the rosette- locket, there is the image of fantastic being with the head of woman (in the reserve against the golden- brown background). On the walls there is pattern (golden- brown figure against the white background) from the alternating six broad bands (filled with the repetitive plant ornament) and six narrow bands (filled with the imitation of the inscription, located into three "lines"), divided by vertical lines. Outside the surface of walls is divided by dual vertical lines into six the rim of upper, with the repetitive interlacing of "sprays" in each. 12C Kalai Bolo (region of Isfara), 1952,
}~p }p 1. Ly.: Dprytry - Lyry~{yz 1955, . 102 - 104, y. 49.

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CUP

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STONE With THE INSCRIPTION OF SULTAN BOBUR.
51 x 45 x 16. On the ground natural surface, in the limited by feature section (20 x 30), is cut out the inscription by the handwriting of Nastalik of six lines written in verse in the Tajik language (two middle lines - to the left of the rest and perpendicular to them), quoted from "Bustan" of Saadi.

"I heard, that Jamshid, blissful by nature,
Wrote on the stone by the source:
"By this source many, as we, rested,
And left in order [forever] close its eyes.
We took peace by courage and by force,
But did not take away [it] with ourselves into the grave ".
(M. Rp|u's transfer)
To the right, by separate line, in Arabic "wrote this Babur. 917. [ year of hegira = 1511 - 1512] "
The sultan of Zahiruddin Muhammad Bobur (1483 - 1530), the descendant of Timur in the fifth generation, begun his career as ruler of Fargona. Three times he lost Samarkand in the fight with Shaybanid, some time controlled in Kabul and entered the history as founder of the dynasty of Great Mughal in India. He thoroughly described himself the complete dramatic events of life in the comprised "Boburnome" ("the notes of Bobur"). Reporting about his stay in the upper flow of Zeravshan - in the match, in the settlement of Obburdon, it mentions about the fact that it cut out to three of double-lines stanza stone- in source and gave them. The searches undertaken with the aid of the local residents in 1953 by young graduate student @} Mpr, crowned by success - it was possible to find stone with the inscription.
Ly.: Mpr 1954, . 109 - 115.

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